![]() I’ve been participating in a class on the Beatles with guitarist/vocalist/composer John Kimsey and I’ve come away from it with lots to ponder. One of the subjects he covers is the different approaches to composition that Lennon and McCartney use; although, as in life, there are always exceptions, a rule of thumb is that Lennon’s melodies are more horizontal and static than Paul’s, and that Paul tends to use more sophisticated chord changes. Another general rule of thumb is that John’s lyrics tends to be more inward-looking while Paul’s are more extroverted and cheerful. And in a way, those two rules-of-thumb are intertwined; John tends to write melodies that won’t detract too much from his lyrics, while Paul is a bit of a show-off; he has a wider vocal range and he likes to use it. Paul is also famous for occasionally coming up with melodies and plugging in nonsense words until he can get around to writing proper words, the most famous example being ”Yesterday,” the original working lyric of which was “Scrambled eggs, oh my baby how I love your legs.” Applying these rules of thumb, however, would result in misdirection here. One might assume that John wrote the A sections, which are relatively static, while Paul wrote the free-ranging bridge, but most sources say that this is entirely a Paul composition. One might also think that John had a hand in the lyrics, which are a bit gloomy and introspective, but again they’re entirely Paul’s work. The lyrics, I’m sure, were the soundtrack to many an angst-ridden adolescent’s life; I know that every time I broke up with a girlfriend this was my go-to song. You can listen to it here: http://my.mail.ru/inbox/ironer/video/3543/71994.html This post is reprinted from News From The Trenches, a weekly newsletter of commentary from the viewpoint of a working musician published by Chicago bassist Steve Hashimoto. If you’d like to start receiving it, just let him know by emailing him at steven.hashimoto@sbcglobal.net |
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